Cascadia Composers proudly presents
Collaborations 2022: Re/emergence
Strive… dream… wake… flourish! Our present moment in music, poetry, image & dance
Cascadia Composers Spring Concert showcases the variety and depth we are known for as we continue to artistically process the times we live in and reemerge, revitalized and reenergized!
Please join us on Saturday, May 14th, 2022 at 7:30 p.m. at Lincoln Hall, Room 75 on the Portland State University Campus, or watch the livestream (with ticket purchase).
Enjoy new works from Cascadia Composers Daniel Brugh, I’lana S. Cotton, Noam Faingold, Brian Field, Theresa Koon (collaborating with poet Bella), Lisa Neher, Gary Lloyd Noland, Timothy Arliss O’Brien, Paul Safar, Drew Swatosh (collaborating with poet Brian Dang), Jennifer Wright and Nicholas Yandell.
A multitude of talented musicians including Diane Chaplin, Anthony Dyer, Maria Garcia, Asya Gulua, Nicholas Meyer, Ben Milstein and Adrian Rosales as well as dancers Conrad “Icon” Kaczor and Big SnubB join in this kaleidoscope of colorful collaborations.
Themes of struggle, recharging and awakening connect these timely works which are enhanced through video, dance and actors. We hope you can share in this exciting concert of new music from Cascadia Composer members!
Lincoln Hall, Room 75, Portland State University, 1620 SW Park Avenue, Portland, OR 97201
Tickets are $20 general admission/$10 seniors and working artists/$5 students/free for children under 12 and are available below and at the door.
Our audience vaxx policy
For entry to the concert, attendees 12 years and older must show proof of COVID-19 vaccination, or you may show your valid PSU student or employee ID. (PSU vaccination rates are well over 95%.) Valid proof of COVID-19 vaccination is either a hard copy or a picture of a vaccination card showing a vaccine series was completed at least two weeks prior to the concert.
(Please note, this is a PG-13 concert. Some song lyrics are not suitable for the youngest audiences.)
Masking is at your discretion. Please respect the masking choices of other attendees.
If you fall ill with COVID symptoms (use best judgment or advice), or test positive e.g. with a home antigen test during the 10 days prior to the concert, please stay home and enjoy the concert through our livestream. All advance ticket buyers who leave email addresses on Brown Paper Tickets will be sent viewing instructions prior to the concert. As of May 6th, you may now also purchase “livestream only” tickets. Be sure to leave your email address so you can receive instructions!
Cascadia Composers is excited to announce the opening concert of its 2021-2022 season: Crossing Paths—New Music of Healing and Renewal. This unique concert experience will be our first live event in many months and will take place at the Leach Botanical Garden (6704 SE 122nd Ave, Portland, OR 97236-5037) on Sunday, September 26th at 5 p.m.
Be sure to bring something to sit on if you like, or feel free to sit on the grass. Click on the button above for a detailed view of the entire garden, including the locations where musicians will be performing.
Audience members may stroll the woodland grounds in a contemplative setting between musical ensembles and sound installations creating an atmosphere of meditation and reflection.
Hear soothing and upbeat performances by Justin Bulava, clarinet, Amelia Lukas, flute, Alexis Mahler, violin Hannah Penn, mezzo-soprano, Kate Petak, harp and Dylan Rieck, cello.
Soak in new sounds from composers David Bernstein, Antonio Celaya, Jay Derderian, Theresa Koon, Kevin Bryant Lay, Mei-ling Lee, Lisa Marsh, Jan Mittelstaedt, Paul Safar, Walter Saul, Greg A Steinke, Mark Vigil and Linda Woody.
Gate opens at 4 p.m. with the music beginning at 5 p.m.
Before the music begins, guests are welcome to explore the upper and lower gardens and enjoy a sound installation courtesy of Daniel Brugh. Guests are encouraged to bring their own lawn chairs and may pack in a picnic to enjoy on the upper garden grounds. Alcoholic beverages are permitted but no food or beverages will be sold on-site.
At 5 p.m. audience members will rotate through performances by three different musical ensembles spaced in different locations around the upper garden: solo flute; mezzo-soprano and harp; and violin, clarinet and cello. Concert guests may experience the music at each location in any order they choose. Each ensemble’s set will last approximately 20 minutes, with two 10-minute intermissions.
Currently masks are required in any crowded or indoor areas of the garden, including restrooms.
We hope you can join us for this unique and timely concert in this beautiful natural setting!
And be sure to mark your calendars for Cascadia Composers next big event: Fierce, Fabulous, and Fully Coiffed Friday, December 10th, 2021 at 7 p.m. at the Clinton Street Theater, Portland, OR !
Cascadia Composers present
FIERCE, FABULOUS AND FULLY COIFFED
Friday, December 10, 2021 * Live show at 7PM (PST)
at the historic Clinton Street Theater, 2522 SE Clinton St, Portland, OR 97202
Drag queens! Rants! Jazz! Tragedy! Comedy! Confetti! Double entendres! More wigs and sequins than you’d ever thought could be gathered into one place! Join us for a fantabulous romp celebrating the undeniable gloriousness of the multifaceted contributions that the LGBTQ+ community has made to world culture since the dawn of entertainment!
Co-produced by the composer-performer trio of Jennifer Wright, Nicholas Yandell, and Timothy Arliss O’Brien in partnership with Cascadia Composers, “Fierce” combines new music and drag in a glorious extravaganza for all to take pride in! “Fierce” features a glittering group of local drag icons, classical musicians, and performance artists in a show bubbling over with fresh interpretations of queer art forms in all their diversity and magnificence. Exploring themes of gender and identity in a variety of styles, this rainbow-drenched explosion of expression celebrates the local and global LGBTQ+ community in style.
And it’s super fun for straights too! Fans of art music, drag, dance, song, comedy, fashion, spectacle, pixelated 80s videos, witty storytelling, and audience participation will all find lots to love. LGBTQ+ listeners can enjoy a safe and joyful space to enjoy the arts and take pride in their cultural heritage. Suitable for audiences ages 13 and older.
The Lineup: Local drag pianist/icon Saint Syndrome (a.k.a. Marshall Cuffe) is featured on several pieces, including their luscious, lounge-y original “What Makes a Man a Man?”
Bonnie Miksch’s soulful “Misguided” for unaccompanied voice and live-controlled electronics is, in the composer’s words, a call to “live our lives authentically, and refuse to be willing participants of racist, classist, ableist, sexist, and heterosexist systems or rhetoric.”
Recognizing that anyone can be a woman these days, Jennifer Wright (appearing as drag personality Tartie FaLouze) has a few choice words to share with anyone thinking of giving it a go in her bluesy “Rant”.
The tongue-in-cheek “A Musical Lecture” by Nicholas Yandell (appearing as drag personality The Midnight Maestro) uses everything from a theramin to a keytar to show how music can help you find yourself!
Linda Woody’s setting of Filipino-American queer artist Regie Cabico’s poem “A Queerification” features the multi-talented Zeloszelos Marchandt singing while suspended in midair, a position well-suited to considering thorny topics at the intersection of gender and identity.
Guest composer Lucas Marshall Smith from Ohio contributes “Always Meeting Ourselves”, which presents a deliciously ambiguous original text that can lean in any number of ways while performers consider their reflections in a multitude of mirrors.
Timothy Arliss O’Brien, appearing as drag personality Tabitha Acidz, tackles some heavy stuff head-on with solo guitar and spoken (and sometimes shouted) word in “Tabitha’s Poetry Slam”.
The grand finale is Jennifer Wright’s hilarious memoir of her cringe-worthy youthful attempts to form a coherent identity growing up in the 1980s while surrounded by a barrage of confusing and colorful pop culture influences, entitled “(Do Ya Like My) Unicorn Trapper Keeper (Extra-Extra Extended Dance Remix)”. There will be line dancing, multiple keytars, retro pixelated video and, of course, Trapper Keepers galore!
All together, “Fierce” is a night you won’t soon forget!
Tickets: $20 general admission; $10 students, free beverage and popcorn for anyone wearing a costume!
Tickets available at: https://fiercefabulous.brownpapertickets.com
Generously funded in part by an “Arts Builds Communities” grant from the Oregon Arts Commission.
About the artists
Composer-performer chameleon Jennifer Wright
Jennifer Wright has been described as “a real force of nature” (FearNoMusic artistic director Kenji Bunch) and “[One] of [Cascadia Composers’] most creative producer/composers” (Brett Campbell, Oregon Arts Watch). She is a performer, composer, educator, graphic/multidisciplinary artist, event producer, and culture-maker. She holds two degrees in piano performance (M.M., Trinity College of Music, London, England; B.M., Hartt School of Music, Connecticut) and studied for two years at the Music Conservatory in Stuttgart, Germany. She teaches piano at Reed College and in her private piano studio in Portland, Oregon.
Jennifer’s eclectic compositions include acoustic, electroacoustic, fixed media, and found-sound works for solo instruments, voice, mixed ensembles, choir, dance, experimental instruments, and film. Much of her work features alternative keyed instruments like typewriters, toy pianos, prepared piano, amplified harpsichords, and her deconstructed creations “The Skeleton Piano” and “Chimaera”.
Jennifer’s compositions have been performed across the U.S., England, Finland and Cuba and on KGW TV and Cuban National TV by herself, FearNoMusic, Resonance Ensemble, Delgani Quartet, The Venerable Showers of Beauty Gamelan Orchestra, Ensemble Interactivo de la Habana, 20 Digitus piano duo, CORVUS, and Free Marz String Trio, among others. jenniferwrightpianostudio.com & skeletonpiano.com
Nicholas Yandell is a Portland, Oregon based composer, musician, writer, & visual artist. Musically, he specializes in composing contemporary classical concert works, film scores, post-rock, and electronic music. He has composed or collaborated on a number of scores for short films and film projects and has had the pleasure of having works performed by such artists as the Delgani String Quartet, cellist Marilyn De Olivera, the Iridescence Piano Flute Duo, the Madrona Viola Duo, and pianist Dianne Davies, as well as numerous other performances through Cascadia Composers.
In 2019, he had the honor of being one of the four composers commissioned by 45th Parallel to set the poetry of Micah Fletcher to music and performed with the Pyxis Quartet and percussionist Sergio Carreno at their “I Spat in the Eye of Hate and Lived” concert. He holds a Masters of Music Composition and a Bachelor of Music from Five Towns College in Dix Hills, NY, and was named the 2020 Composer of the Year by the Oregon Music Teachers Association.
In all his creative works, he delves deeply into subjects such as mental health, psychology, spirituality and perseverance, with an ultimately hopeful outlook, woven into strongly comprehensible narratives. As a queer person, he also uses creativity to express his struggles with identity and sexuality as well as his own personal journey to acceptance.
Married composers couple Nicholas Yandell and Timothy Arliss O’Brien
Timothy Arliss O’Brien is an interdisciplinary artist in music composition, writing, and visual arts. His goal is to connect people to accessible new music that showcases virtuosic abilities without losing touch of authentic emotions. He has premiered music with The Astoria Music Festival, Cascadia Composers, Sound of Late’s 48 hour Composition Competition and ENAensemble’s Serial Opera Project.
He also wants to produce writing that connects the reader to themselves in a way that promotes wonder and self realization. He has self published several novels (Dear God I’m a Faggot, They), and has written for Look Up Records (Seattle), Our Bible App, and Deep Overstock: The Bookseller’s Journal. His full discography, Where Are WE?, Piano Memories, Fear Sides and Soundbath, on all streaming platforms. Website: timothyarlissobrien.com Instagram: @adorableinpdx @tabithaacidz @thepoetheroic
Cascadia Composers is not about to let summertime slide into fall without a real, bonafide encore presentation of our beloved summer tradition:
In Good Hands
Saturdays September 11th, September 18th, and September 25th on our YouTube channel at 3PM.
Please note: dates and times in program are inaccurate.
Join us in celebrating talented student performers from across Oregon and Washington playing brand new music written by Cascadia Composer members in this special outreach project of Cascadia and the next generation of musicians!
The numbers show that this is our biggest In Good Hands concert yet with 17 teachers, 53 students ages 7 to 22, and 19 composers participating!
Many of the compositions will be premieres which were written specifically for the student performers, creating an extra special artistic connection.
The programs will include works for cello, flute, oboe, violin, voice and piano.
September 11th, 3:00PM (PDT):
Music By: Timothy O’Brien, David Bernstein, Paul Safar, Liz Nedela, Ally Rose Czyzewicz, John DeRuntz Jr., Lisa Neher, Dianne Davies, Elizabeth Dyson, Walter Saul, Carla Bartlett, Jan Mittelstaedt, Greg Steinke, Linda Woody, Jennifer Wright
September 18th, 3:00PM (PDT)
Music By: Liz Nedela, Carla Bartlett, Lisa Neher, Jan Mittelstaedt, Nicholas Yandell, David Bernstein, John DeRuntz Jr., Daniel Brugh, Linda Woody, Dianne Davies, Timothy Arliss O’Brien, John Hidalgo
September 25th, 3:00PM (PDT)
Music By: Jan Mittelstaedt, Lisa Neher, John DeRuntz Jr., Carla Bartlett, David Bernstein, Elizabeth Dyson, Liz Nedela, Dianne Davies, Nicholas Yandell, Walter Saul, Ted Clifford, Timothy Arliss O’Brien
for those of you who either missed some of the concerts and presentations of the NACUSA 2021 Virtual New Music Festival this spring or want to view them again, do not fear as the links remain online here: https://cascadiacomposers.org/nacusa-2021-virtual-new-music-festival/
Cascadia Composers Hosts First Ever Virtual NACUSA Conference!
April 17 — May 2, 2021
Cascadia Composers, the Northwest chapter of the National Association of Composers USA (NACUSA), in partnership with Lewis & Clark College, will host NACUSA’s biennial conference as a virtual experience with all events held online for the very first time in the organization’s 87 year history. The conference is open to the public and offers abundant opportunities to experience the hottest trends and most captivating techniques in modern classical music through six days of concerts and presentations.
All events are free (donations encouraged) and available in the links below.
The conference features performances from a host of local ensembles including Friends of Rain, The Evergreen Experimental Music Ensemble, Pacific University Chamber Singers, and members of the Portland Percussion Group, in addition to renowned music organizations from across the country, including Duo Stephanie and Saar, The Crossing, American Wild Ensemble, Sam Houston State University Symphony Orchestra, Texas Christian University Concert Chorale, and members of the International Contemporary Ensemble and members of Ensemble Dal Niente. Performances showcase the music of over a dozen local composers, plus over two dozen more composers from around the country. The variety of programs, ensembles and composers provides an engaging cross-section of relevant thematic content, appealing to both avid new music fans and occasional concert-goers.
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2021 NACUSA Conference Schedule: April 17 — May 2, 2021
All concerts will be streamed and viewable indefinitely afterwards on the Cascadia Composers Youtube Channel. Click on individual concerts below to see the concert programs and to watch the concerts.
Cutting-edge works by student composers from Lewis & Clark College, Portland State University and The Evergreen State College, culminating in a performance of Violin Sonata No. 1 by 2019 NACUSA Young Composers’ Competition winner Zach Gulaboff Davis. Featuring local musicians including The Evergreen Experimental Music Ensemble.
Chamber music by members of Cascadia Composers up and down the West Coast, from Bellingham, WA to the Los Angeles area, including composers in Portland, Forest Grove, Lake Oswego, Vancouver and Eugene. The concert features performances from Friends of Rain, Lewis & Clark College’s new music ensemble, with varying subgroups of the college’s music faculty.
Last December 17th was the 250th anniversary of the birth of über-classic composer Ludwig van Beethoven, an occasion for celebration around the world wherever European classical music is enjoyed. Due to the COVID-19 pandemic, Cascadia Composers was unable to present its planned celebratory concert live in March of 2020, so we’re doing the next best thing, a year later. Along the way we’ve added two works, including a World Premiere, from the festspiel March Music Moderne VII: BTHVN 2020 which was also postponed. Featuring the incredible Duo Stephanie and Saar performing Beethoven’s own four-hand arrangement of his Große Fuge, and more!
Spring is a time of mercurial moods and itchy feet. NACUSA celebrates with this collection of members’ music composed, performed and recorded all around the USA. Featuring The Crossing, Sam Houston State University Symphony Orchestra, Texas Christian University Concert Chorale, Pacific University Chamber Singers, American Wild Ensemble, and members of the Portland Percussion Group and members of Ensemble Dal Niente.
A one-hour, high-voltage concert of electronic, electroacoustic and media-only music from NACUSA members all across the USA. Features three delightfully absorbing videos, colorful and mesmerizing by turns.
A celebration of acoustic chamber music from NACUSA members all across the USA, performed by Friends of Rain, members of the International Contemporary Ensemble, and local musicians.
Click on the presentations below to watch.
A presentation on musical compositions that utilize the “blackout” poetry of Austin Kleon and reflect the poet’s (and the composer’s) perceptions of the current world milieu. Presenter will share thoughts and ideas about working/interacting with the poetry with short excerpts from several works.
Effective vocal writing requires attention to text setting. Learn tools to make your vocal music sing beautifully, rehearse easily, and be understood by listeners. Bring your questions!
Dr. Greg A Steinke: Music and the Poetry of Lawson Fusao Inada — Saturday, April 24th at 3:30 PM PDT
A presentation on an array of musical compositions that utilize the poetry of Lawson Fusao Inada [fifth poet laureate of the state of Oregon], and reflect the poet’s (and the composer’s) perceptions of the Japanese Internment Camp experience. Presenter will share thoughts and ideas about working/interacting with the poetry, with short excerpts from several works.
Jeff Morris: Songs and Sandwiches – Student Vocabulary Reveals How Everyday Tools Manipulate Artistic Thought — Sunday, April 25th at 3:30 PM PDT
An opportunity to reflect on how modern culture has significantly limited our default exposure to the world of music’s potential, how music can and does fit into our culture, and how general-purpose [software] tools can shape culture significantly, even if unintentionally. “I tell students: A song isn’t the only kind of music, just like a sandwich isn’t the only kind of food.”
Yandell explores how art can help individuals express, comprehend, and confront trauma, whether as composers, performers, or listeners.
Kapp offers an analysis of his compositional process for the piece Chromatic Limb, written, and rewritten, for various groups of ever changing instrumentation, and ultimately two acoustic guitars… What is of compositional interest in a process such as this? What structures result? Is it music?
There’s no charge to view concerts or presentations, but your donation helps us create events like this.
The Halprin Landscape Conservancy and Cascadia Composers present
In This Together
A performance bearing witness to change, protest, revolution and the power of rebirth in the 50th year of the historic Keller Fountain
DATE: Sunday, October 25th, 2020
VENUE: Keller Fountain Park, SW 3rd Ave. & Clay St., Portland OR
TIMES: 2 shows! 12 noon & 1:30 PM (PDT)
This one-hour, socially-distanced concert honors renewal and connection in a time of uncertainty and turbulence. Join us for a celebration of beauty, storytelling, healing and catharsis!
Watch the 1:30PM livestream on the Cascadia Composers Facebook page.
“IN THIS TOGETHER” celebrates the 50th birthday of the world-renowned Keller Fountain, a groundbreaking urban landmark that opened in a time of revolution and sees its half-century pass in another. Narratives of movement and music speak to the power of environment in the self-definition of a city and its people.
The program features acoustic and electroacoustic music by Portland composer/performers Jennifer Wright and Daniel Brugh for piano, handpan drum, fixed media, synthesizers, toy piano, and a few surprises. The movement artistry of special guests Jordie Campbell (aerial artist) and Akela Jaffi (poetry/dance) will invigorate the space!
The concert features the world premieres of two pieces composed specifically in honor of the Keller Fountain’s 50th anniversary: “Wild and Varied Empires Have Inhabited This Place” for solo handpan drum by Jennifer Wright, and “Waterfall” for fixed media and synthesizer by Daniel Brugh.
Wright’s “The Whispered Counsel of Past Lives” for toy piano and music boxes will feature aerial artist Jordie Campbell performing on a freestanding rig arrayed in the fountain.
Portland poet/dancer Akela Jaffi, currently based in Washington D.C., returns to Portland to lend her powerful poetry and choreography to a new adaptation of Wright’s “Never Have I Wished So Hard For Rain: Elegy for Eagle Creek”, originally written in 2017 to commemorate the burning of the Columbia River Gorge.
Daniel Brugh will unveil two new works for fixed media, live synthesizer, and Roli Seaboard: “Grayling Lane” and the adorably-titled “The Angry Magical Bumblebee”.
The grand finale gives the audience a special chance to release any frustrations they might have with the current political situation by actively participating in Wright’s “One Hot Mess” for fixed media, piano and infantile percussion, which reconstructs Trump’s presidential nomination acceptance speech at the 2016 Republican National Convention into an entirely new, fictitious narrative with an appropriately obtuse soundtrack.
Socially distanced / masks required
Admission is free!
Seating is limited; RSVP to reserve your spot at email@example.com
or wander by for an ambulatory experience.
Additional info available at: https://www.facebook.com/events/4010628652285920?active_tab=about
For information on Daniel Brugh, please check out https://oregoncomposerswatch.blogspot.com/2019/08/daniel-brugh.html
Cascadia Streams presents:
One… Two… Delgani!
Jannie Wei and Wyatt True, violins
Kimberlee Uwate, viola
Eric Alterman, cello
Watch and hear a very special collaboration between Cascadia Composers and Eugene’s Delgani String Quartet, available here and on the Cascadia Composers Youtube Channel. The concert is free but a donation of any kind to our group via the Donate button below will be gladly accepted! (If you can’t decide, $10 is suggested.)
Violist Kimberlee Uwate and cellist Eric Alterman play solos and violinists Jannie Wei and Wyatt True present violin duos by Brian Field, Lisa Ann Marsh, Liz Nedela, Stacey Philipps, Greg A Steinke and Christopher M. Wicks. In the past, Delgani has performed as a full quartet in numerous Cascadia Composers concerts but with Covid-19, we get the silver lining circumstance of hearing them in this intimate solo and duo setting. Plus, the stream includes the full group in their 2017 performance of the Presto movement from Tomas Svoboda’s Sixth String Quartet, a little teaser for Delgani’s new season!
Considered “the state’s finest chamber ensemble” by Oregon Arts Watch, the Delgani String Quartet presents exciting performances of both classic and contemporary repertoire in intimate concert settings. The quartet curates their own subscription series in Portland, Salem, and Eugene while regularly appearing as guest artists throughout the state. Delgani has also performed at the Metropolitan Museum of Art in NYC and at Charles University in Prague.
Although the worldwide pandemic is keeping most live audience events on hold, Cascadia Composers continues to present new music from its members in creative ways to help keep audiences both safe and invigorated by the musical arts. Please check this website regularly for updates on these and other streamed concerts.
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